Amy Ray fans unite! It’s time to launch this punk rockin’ Indigo Girl‘s kyte — and no, we don’t mean those diamond shaped hallmarks of youth. We’re talking about her KyteTV channel — an online TV station for AR fans both old and new, and a celebratory gesture on behalf of her upcoming solo release, Didn’t It Feel Kinder, due August 5th.
So what does all this mean? Simple. Get ready for tons of behind the scenes footage, live performances, dispatches from stops on the Indigo Girls US tour, and some intimate tourmate-assisted stuff with the likes of Brandi Carlile! Make sure to keep a tenacious eye out for some live chat sessions with fans, and a very special interview conducted by the other half of the Indigo Girls, Emily Saliers, coming to the channel in the near future. What’s more, starting 10 days before the release of Didn’t It Feel Kinder, Amy will perform a track each day in an almost intrusively-intimate setting!
Embed Amy Ray TV on your blog or social networking page to show off all the schnazy content coming its way, and while you’re at it, why not open your ears to “Blame Is A Killer” from the new album?
Menomena drummer Danny Seim has taken some time to himself — time he likes to call Lackthereof. It’s his “side project,” a term used very loosely, since it actually began in 1997, before he joined Menomena. Like the handful of records before it, Your Anchor, due July 22nd via Barsuk Records, is chock-full of ‘kick your shoes off and relax’ music; the kind of music that makes you want to breathe a sigh of relief in that breezy, folky, indie pop kind of way. Fortunately for us, Danny is opening the door on “Last November,” a track from the new record with some interesting rhythm work. Check it out below!
Pitchfork caught a rare gem of a performance by Mr. Seim, and has some pretty sweet pics to prove it. If that’s not enough, then check out the awesome video by Dave Allen of the same show! The next and only show scheduled for Danny is July 17th in Portland, OR at Holoscene, but it’ll be okay, no need to fret-he’ll be busy enough with Menomena for the end of July and all of August! Perhaps a surprise bonus Lackthereof performance!?! Let’s hope, let’s hope.
Even though I shower daily, avoid patchouli, hate Phish, never got into the Dead and now prefer a 3 minute song to a 14 minute jam, I’m still known around Rind HQ as the Noodle Queen/resident Hippie/jamband lover. So, with that in mind, I’m going to share a few of my favorite albums from the Ropeadope catalogue:
Before the Duo formed, I never would have guessed I’d love an instrumental album by a keyboard and drum duo. I mean, I love keys, and while I know drums are instrumental (pun intended), I’m one of those people who use drum solos for a bathroom break. So I must have had absolutely nothing else to do one night when I first saw them in Boston, where I lived at the time. I was immediately hooked. I saw them many more times, including their performance at SXSW 2005 where I realized I LOVE this band, and their show on a boat that was docked in the East River because it was broken. Needless to say, when BRTBTS was released it quickly turned into a favorite. Listen to “Sunny’s Song” when you’re walking through Manhattan at sunrise and “My Pet Goat” at dusk.
Sometime in the early 2000s my friend gave me a bootleg so I could hear this incredibly sexy, soulful singer: Norah Jones. I fell so much in love with this one song (“Day Is Done” on Charlie Hunter’s Songs from the Analog Playground on Blue Note) that I saw both the band and the vocalist the next time they came through Boston. (As it turns out, Charlie Hunter sold out a 650 seat theater and Norah Jones had about 12 of us join her at a little jazz club.) Anyway, fast forward a few years and I’ve certainly kept listening to Charlie Hunter, while Norah Jones never really makes it into my music rotation. Copperopolis, released in 2006, is filled with classic Hunter tunes; but, for something slightly different check out Pursuit Package.
I’ve always been a sucker for sax [ed: words cannot describe how much we regret Jaclyn passing up the opportunity to call herself a “sax addict.”], so I’ve tried to see Skerik with whatever group he happens to be playing with…whether Les Claypool’s Frog Brigade* or Garage a Trois or Mike Clark. It was a happy day in 2003 when I heard about his own project: Skerik’s Syncopated Taint Septet. (I must point out that 5 years ago I didn’t know what a taint was). While absolutely nothing can compare with seeing Skerik live, this album at least makes me want to chair dance at work.
Alright, flash forward to present day and Ropeadope has a slew of new digital only releases that will make this foray into jambands seem so 2003. Check ’em out here: www.ropeadope.com/music/digital
In the interest of keeping this non-stop Melvins lovefest alive:
The Melvins are taking over the world, one step at a time. Last week they premiered their album on Myspace, before Last.fm tossed love in their direction with another pre-release full album stream. This week, Boots is blasting on AOL – check it out here, and buy buy buy!
And lest you forget all the chances to see this behemoth live, the guys are bringing their punch to a boatload of cities across the U.S. and beyond in the coming months.
If you’re familiar with flamenco music, chances are you’re familiar with Enrique Morente, the 65-year old Granada-born singer who has transcended and expanded the genre for over 40 years.Having already been the first flamenco singer to use modern and classic poetry in his lyrics, Morente’s latest release Pablo de Málagais perhaps his most ambitious, taking previously unpublished writings by Pablo Picasso and adapting them to music.The writings were given to Morente by someone close to the painter, along with a series of never-before-shown Picasso engravings.These engravings are currently only available in a PDF booklet via iTunes’ exclusive version of the album, which came out this week.There is also one track, “Autorretrato” (self-portrait), composed over an actual recording of Picasso’s voice.
Pablo de Málaga comes more than a decade after Morente’s groundbreaking 1996 release Omega, in which he collaborated with Spanish rock band Lagartija Nick to adapt texts from poet Federico García Lorca and re-work songs by Leonard Cohen into a flamenco-punk masterpiece.And if that’s not enough to solidify Morente’s indie credibility, he also appeared on stage with Sonic Youth at a 2005 Valencia concert and counts Broken Social Scene/Apostle of Hustle’s Andrew Whiteman as one of his biggest fans.
Having left Granada for Madrid while still a teen, Morente began singing in flamenco clubs and learning from the masters at a very young age.The start of his recording career in 1967 found him working to revisit the old cantes (song styles) that were no longer popular, separating himself from the pack as someone who was interested in pushing boundaries of both tradition and experimentation. His innovation continued, and in 1977, Morente was the first flamenco artist to be awarded the National Spanish Popular Music Prize for his initial foray into the “tribute” album, Homenaje a don Antonio Chacón.He has since won numerous other awards and released over ten more albums.