It’s getting to be that time again… time to prep for the annual SXSW shenanigans! In industry-speak, the Austin, TX conference is just around the corner, (believe it or not!) and to get things started, we need your help generating excitement for our panels! Read on for more details, give ’em all your thumbs up in the SXSW PanelPicker portal, and if they get picked, we hope to see you front and center at SXSW ’16.
Earlier this summer, The Orchard, in conjunction with Elemental Music, announced the first six releases in a series of twenty-five Xanadu Master Edition reissues from the vaults of the acclaimed Jazz label founded in 1975 by legendary producer and photographer Don Schlitten.
One of these initial titles, From The Attic Of My Mind, a 1978 release from jazz flautist Sam Most, was recently profiled by jazz critic Kevin Whitehead on NPR’s “Fresh Air.” Whitehead notes that Most, who played and recorded with giants like Tommy Dorsey, Herbie Mann, Joe Farrell, and Lalo Schifrin, might not have been a huge star, but he was “the first flute modernist” whose “breathy, punchy sound pointed the way for other flutists” including the great Rahsaan Roland Kirk. He is supported here by pianist Kenny Barron [Stan Getz, Ron Carter], bassist George Mraz [Oscar Peterson, Joe Lovano], drummer Walter Bolden [Gerry Mulligan, Horace Silver] and percussionist Warren Smith [Composers Workshop Ensemble, Sam Rivers]. The other titles in this initial batch are no less fascinating. (more…)
Hi I’m Bryan, the new Business Affairs Coordinator. I interned here a few summers ago and now I’m back for a full-time situation. I graduated from Colgate University two years ago with a major in Economics and a minor in Music, and worked as a litigation paralegal from graduation until now. Based on my first couple of weeks, working at The Orchard is far better than being a paralegal.
It sounds so simple. You are a record label. You own some recordings, meaning, you have a contract that proves that you own the master rights to some recordings. You send — or have a representative like The Orchard send — your metadata to SoundExchange (SX) to register your sound recordings. You get paid from SX (or from SX via The Orchard) when your recordings get played on Pandora, SiriusXM, iHeartRadio, etc.
What could go wrong with this process? A lot, unfortunately. (more…)
As a valued member of our tech team and representing the smart, fierce, female engineers of the world, please tell us, what the #&@$ do you do?!!?
That’s a lot of pressure. First of all, I want to say that I have worked on two great squads — first the Video Services squad and now the Video Retail squad — and a great deal of the work is collaborative and couldn’t be done alone.